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・ Ernest Mangu
・ Ernest Manheim
・ Ernest Manirumva
・ Ernest Manning
・ Ernest Manning High School
・ Ernest Marie Louis Bedel
・ Ernest Mario
・ Ernest Mario School of Pharmacy
・ Ernest Marklew
・ Ernest Marks
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・ Ernest Martin
・ Ernest Martin (murderer)
Ernest Martin (theatre director and manager)
・ Ernest Martin Hennings
・ Ernest Martin Hopkins
・ Ernest Martin Jehan
・ Ernest Marwick
・ Ernest Masoin
・ Ernest Mason
・ Ernest Mason Satow
・ Ernest Masson Anderson
・ Ernest Masters
・ Ernest Mateen
・ Ernest Mathijs
・ Ernest Matthew Mickler
・ Ernest Maunoury
・ Ernest Maxin


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Ernest Martin (theatre director and manager) : ウィキペディア英語版
Ernest Martin (theatre director and manager)

Ernest Martin (born February 23, 1932) is an American theatre director, theatre manager and actor, who lives in Düsseldorf, Germany, where he wanted to develop new forms of theatre. In Düsseldorf, apart from traditional theatre, he built, led and directed amateur theatre - groups, which were keen on experimenting.
==Biography==
When Ernest Martin finished his schooltime at the Boys High School in Brooklyn, he studied psychology at the state university City College of New York from 1950 to 1953. Then from 1954 to 1955 a study of theatre studies at the ''drama School'' of the University of Washington in Seattle followed. After his study, Ernest Martin made a one-year apprenticeship at Joseph Papp's ''East 6th Street Theater''. In this time he was inspired by the theatre group The Living Theatre, whose „unconventional approach to the modern theatre provoked a strong resonance at that time in America.“〔(Biography of Ernest Martin on his official website ) (German)〕
Already during his study, Ernest Martin gathered first experiences as director at the Off-Broadway. In 1951 he produced the one-act play ''Reunion'', which was written by himself and performed at the Cherry Lane Theatre in New York City. Afterwards he directed several theatre plays such as ''Six Characters in Search of an Author'' by Luigi Pirandello or ''The Skin of Our Teeth'' by Thornton Wilder, which were also performed at the ''City College Of New York''.
After a trip to Europe in 1960, Ernest Martin decided to live in Germany, where he wanted to use his longtime experiences with improvisational theatre and creative theatre work with amateurs. So, he moved to Germany in 1961 and found the Düsseldorf theatre group ''Die Bühne'' in 1964, which was renamed in ''Die Bühne – Experimentiertheater Düsseldorf'' in 1968. Ernest Martin directed a lot of theater plays and ran the group until 1987. Especially for their self-written plays, the group gained attention. The German news magazine Der Spiegel compared their work with the Off-Off-Art of Joseph Papp's Public Theater and ''The Living Theatre''.〔 (German)〕
Ernest Martin co-founded in 1984 the theatre ''Das junge Theater in der Altstadt'' in Düsseldorf,〔(History of the ''tanzhaus nrw'' on its official website ) (German)〕 whose theatre manager he was until 1998, and which now belongs to the Forum Freies Theater. Then in 1989, he co-founded the theatre ''Das Seniorentheater in der Altstadt'', also located in Düsseldorf. ''Das Seniorentheater in der Altstadt'' is an amateur theatre, which in 2014 has 33 members, who are between 60 and 88 years old.〔 (German)〕
Furthermore, Ernest Martin worked as actor and dancer. For example, in the eighties he appeared in the play ''Harald und die Boys'', which was performed at the Düsseldorfer Schauspielhaus and the Schauspiel Köln, or in ''Mandela vor Gericht'', which was performed at the Theater Basel. He finished his over fifty-year-old theater-career as dancer in the Pina Bausch - dance production ''Kontakthof für Damen und Herren ab 65'', which was performed from 2004 to 2009 in Germany and some European countries, like Italy or France.
Ernest Martin lives in Düsseldorf for over 50 years.〔(''02 Inszenierungen für die »Bühne«'' - Biography of Ernest Martin on his official website ) (German)〕

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